北苏丹人莫娜曾是一名歌手，结婚后退出歌坛。生活体面的她却被内心秘密折磨：她曾间接引发了一起谋杀。为平息愧疚，她收留了失去生活来源的死者遗孀和儿子：来自苏丹南部的朱莉娅和丹尼尔。在家庭内外，两个完全不同的女人建立起意外却暗藏危机的友谊。由于无法坦白罪行，莫娜决定抛开过去，努力适应现状。但她没有想到，国家的动荡蔓延至她的家中，令她必须直面内心分裂。
Following the chaotic story of Martín de la Torre, who finds a way to rise to the top and bring the 1986 World Cup to Mexico by any means necessary.
讲述了一位心碎的华裔美国网络女主播的故事：她与关系疏远、生命垂危的父亲重逢，而一位古怪的客户给予她的金钱与关注，成了她既能抚慰受伤心灵、又能帮助父亲的方式。
In Diciannove (translating to Nineteen), Giovanni Tortorici’s elegant, heartfelt, and daring debut, a curious student learns that the road to self-discovery is worthwhile, if not necessary, no matter how unfamiliar or daunting the path. Eager to escape his overbearing mother and the only life he’s known, 19-year-old Leonardo (Manfredi Marini, who gives an exceptional performance), leaves picturesque Palermo to study in bustling London. His landing is buffered by his sister Arianna (Vittoria Planeta) and her roommate Grazia (Dana Giuliano), though the initial excitement of living abroad — and unrestricted partying — wanes quickly, and Leonardo finds himself enrolling at the University of Siena, focusing on Italian literature. Back in familiar surroundings, he falls in love with the medieval city, but is not so keen on his literature professor. Seeking that indescribable feeling of knowing you’ve found your place — beyond just geography — Leonardo delves into the classics independently, spawning a soul-searching and deep interest in early modern authors like Pulci, Segneri, and Leopardi. Surrounding himself with beauty, vibrant youth, and new ideas — as well as images he’d previously repressed — his world blooms. A year into his unbound journey, Leonardo travels to Torino where he meets a man who, though much older, may finally be a contemporary — if not the key to unlocking his innermost desires.
一场突如其来的地震波及整个灌城化工园区，管道泄漏触发爆炸不断。浓烟滚滚、火光冲天，灾难迅速升级，如果任其蔓延，整座城市将被夷为平地……面对要救火又要救人的严峻考验，消防救援站一众队员第一时间奔赴重灾区，危难时刻争分夺秒，用生命守护生命。
My Dearest Señorita, produced by Javier Calvo and Javier Ambrossi, is an adaptation of the 1972 Oscar-nominated film of the same name directed by Jaime de Arimañán, who co-wrote the script with José Luis Borau starring José Luis López Vázquez.
伊娃在保加利亚乡村的一家服装厂工作，一直受一种顽固却原因不明的疾病困扰。当她被确诊为小镇首例新冠病例后，各种指责声如潮水般涌来——先是急于推卸责任的工厂老板，接着是她的同事、儿子，最终整个社区都将矛头指向了她，尽管伊娃已经多年没有离开过这座小镇。 随着病毒出现首批受害者，对伊娃的公开妖魔化愈演愈烈，她很快成了被社会排斥的弃儿。 这部影片的结构接近社会悬疑剧，聚焦新冠疫情中不为人知的层面。曾入围戛纳电影节、荣获卡罗维发利国际电影节水晶地球仪奖的导演斯蒂芬·科曼达雷夫，此次携新作回归，影片对激进资本主义进行了反思——这又是一幅扣人心弦、贴合时代且充满力量的被剥削者群像，整部作品均在欧盟境内制作完成。
故事发生在一所女子基督教寄宿学校。安娜因能看见鬼魂，总觉得自己与周围格格不入。她的室友里香则截然不同：她人气爆棚、受人喜爱，是个让所有人都心生敬佩的优等生。然而，当里香选择自杀后，整个学校都陷入了震动，其中最受打击的莫过于她最亲密的朋友诗织——诗织始终难以接受这一失去，试图弄明白背后的缘由。安娜发现里香的日记后，开始感觉到里香的灵魂在自己面前显现，并且正慢慢渗入她的身体……
梦境与幻觉不断侵入米寻的现实生活，尘封的往事，隐秘的情感被渐渐揭开，米寻决意以此拍摄一部电影，与父亲重逢与告别。
