简介：Kuad and Kai are siblings who are apart from one another since their childhood. Kuad is brought up in a slum and supports his life by playing gambling whereas Kai is with his grandmother. When an accident causes grandmother to be in a coma and need more money for the cure, Kai begins searching for his brother Kuad. Things turn upside down when the siblings reunite to take their chance in a gambling house to get the money for grandmother.

简介：是一部反映人文精神和崇高爱情的经典故事影片。《武功山别恋》是根据深圳女作家蔡郁苇创作电影脚本《口琴》改编而成，故事描述了主人公著名创作歌手高歌的坎坷创业之路以及他与心仪的初恋女友丁小荷和女友文静的爱情波折故事。

简介：Sara and Nicola are expecting their second son. Through the late Mattia Torre's sharp look, all the joys and sorrows of being a parent in the modern day Italy are unraveled in an absolutely brilliant and witty way.

简介：一位年轻貌美的神秘女孩，走投无路之下，投靠到一座法属印度支那经营的橡胶种植庄园。她在庄园内担任女仆，并服侍重伤卧床的男地主。起初地主抗拒女孩的照顾，然而女孩清纯，勤奋的形象却默默吸引了他，让两人日久生情，理智终究难挡情欲诱惑，彼此的肉体终究冲破身份界限，发生了禁忌性爱关系。不过此举却触怒到地主的亡妻，让亡妻显灵对众人索命，整座庄园因此陷入恐怖腥风血雨之中......

简介：梅姐以为生命裡的欢愉都离她远去，直到重遇前夫志远，志远因欠债拖著一条腿，梅姐肩上则扛着整个家庭，母亲失智，儿子身心失调，深夜必须用手替他解决需要。志远巧手能玩布袋戏，帮梅姐在电视台卖药，一掌定乾坤，还能空出一手托起梅姐腰肢，爱若腾云。梅姐以为家裡多了栋樑骨，但生活仍持续在她背脊上加添重，女儿、母亲、情人，一重身分是花朵一重瓣，花开多豔，终究细枝难撑，风流终被雨打去。家是枷，还是甜蜜的负荷？梅姐一生能分给这么多人，但一颗心呢？　　女人花，花朵骨挺拔撑起残破的家枝繁叶茂，偏乡单亲家庭、长照议题、青春期身心失能者无助的性等议题都入镜，犹能含苞吐蕊，摩挲女子内心幽微光影。蝴蝶是花的魂魄，回来找自己，本片犹如台湾女子图鉴，每一幕都是自己。不能自己。

简介：On 21. September 2013, telecommunications satellite APV-1312 belonging to French media group CanalDouble crashes into the Brandenburg Gate, cutting a trail of destruction as far as the Reichstag. 56 delegates die. Thirteen minutes later, all around the world more and more satellites plummet to earth. Communications, as we have known them, are collapsing everywhere. West of Geneva. At the largest research laboratory in the world, with a budget of one billion dollars, an experiment has failed that is going to throw the whole world off its hinges. Scientists from 80 nations have simulated the Big Bang with the so-called 'God Machine', the world's greatest particle accelerator, and thereby created a Black Hole. Reaching Geneva turns into a tour de force for our heroes, through a country that like its neighbors is in a state of total emergency, but equally into a time of human encounters. A time, where courage overcomes the fear and human beings do not shut themselves off but take decisive action. A time, where the end is a beginning, and where two brothers become soul mates again. A time, where weakness turns into strength and individuals are unified into a single nation. A time, where despair turns into hope, and loneliness into the love of a lifetime. A time, where one look says more than a thousand words, and even the smallest individuals become giants. Europe's darkest hour turns into a time of patriotic heroes. Heroes just like you and me...　　- Written by Dreamtool Entertainment

简介：所谓的无船员的船携带咖啡驶入纽约,但是当警察和一些科学家在船上发现了船员可怕的尸体和大量的盒子装满绿色虫蛋。爆炸的时候蛋温度升高和任何人谁接触的物质都会爆炸。现在政府介入和幸存的军官,一名上校和一名宇航员发现这些蛋可能与灾难性的火星任务有关。

简介：对于即将到来的旅程，斯库罗（马塞洛·马斯楚安尼 Marcello Mastroianni 饰）充满了兴奋和期待之情，在妻子去世多年，自己光荣退休之后，他终于要走出那一成不变的生活环境，去看望阔别已久的孩子们了。在重温亲情的路上领略异国他乡别样的景致，这样的经历想一想都 觉得美好。　　但是，现实却并不如想象的那样完美。随着旅途的深入，斯库罗发现自己的五个孩子竟然各个都一事无成，更让他感到伤心的是，其中的一个孩子在不久前不幸死去，而他竟然对此一无所知。善良的孩子们试图用谎言来安慰失意的斯库罗，而面对妻子的亡灵，斯库罗也说出了同样的善意的谎言。幼者和长者，死去的人和活着的人，一段真实又细腻的感情在亲人间缓缓流淌。

简介：On a class trip, five friends are kidnapped by an evil doomsday cult seeking to achieve immortality with an ancient pagan artifact – and who will stop at nothing to do it...　　Berlin students Ben, Jonas, Leo, Ozzi and Sophie are on a class trip to boring Hildesheim. Their schedule includes visiting the medieval cathedral and witnessing a complete solar eclipse, but destiny intervenes… A bomb goes off at the cathedral and the students are evacuated by the police, only to find themselves in the clutches of an occult secret society calling themselves the Lunaris Cult, who aim to use an ancient pagan artifact, the Irminsul, to harness the vital force of their teenage captives and use it for their own purposes on the eclipse. The evil cultists are after immortality and divine power, and are even prepared to sacrifice the friends' lives.　　Ben and his gang manages to escape. Chased from one danger to the next, the cultists pursue them, closing in on them more and more. The fanatics have it all planned out, it seems, leaving nothing to chance. They disable the cell phone networks and satellite connections, leaving the friends to fend for themselves …

简介：这部电影以一个女人的视角观察她所经历的生活，她离婚了，以前的丈夫死了，她形单影只的，一个人开启了漫长的旅行，因此这部影片有公路片的特质，她再路上遇到了另一个男人，她和这个男人之间产生了感情，互诉心声，并且男人将这个女人带到了他的家里，见了他自己的两个孩子。在女人将自己的全部又再次选择托付给眼前的这个男人之时，他伤害了她，男人决绝的让女人下车，让女人离开。这是这个女人所始料不及的，她没有想到一切两人的感情怎么这么快就结束了，无奈下车后，男人却因车祸死了，这个突如其来的打击令女主感到很是绝望，她十分想念男主，照顾他的孩子们是她仅仅能为男主做的事情。《苏黎世》这部电影由萨夏·波拉克（《情欲天堂》，《NEW BOOBS》）导演，Wende Snijders主演，是其电影制作中的第一部剧情片。

简介：在里乔内邂逅一年后，文钱索与卡蜜拉再度重逢，前往风景如画的阿玛菲海岸度假，而这趟旅程也是对爱情的考验。

简介：影片讲述财务部女监察探员(格蕾斯饰)负责押运一批6亿美元残旧货币到碎钞厂处理，然而当地罕见的飓风灾难即将来临，一群全副武装的盗贼想在居民全部疏散后“乘风打劫”，而当飓风达到致命的5级之后，所有精心计划都被打乱，他们发现需要一个金库密码，而这个密码只有女监察探员知道，她和所被劫持人质的生命面临威胁，在和滞留当地气象学家（凯贝尔饰）结盟后，后者的弟弟也被盗贼绑架，两人不得不联袂面对飓风和匪徒，在历经惊险刺激后最终战胜了盗贼和飓风灾难。

简介：讲述青海尖扎地区的拉隆村和达莫村世代友好，两村向来有着传统射箭比赛的习俗。射箭世家的大儿子扎东已经连续两年输给了达莫村的神射手尼玛，无缘象征神射手的“五彩神箭”。怀恨在心的他阻扰尼玛与自己妹妹的恋情。两个村的孩子暗地里也在比试箭艺，长一辈则对传统渐渐的流失而担忧。尖扎县政府将要举办的一场大型国际射箭比赛，扎东和尼玛将代表各自的村庄争夺唯一的参赛资格……

简介：Nick Cherenko曾是俄罗斯特种伞兵部队的一员，从阿富汗退役后当了一名修车的机械师，在一次毒品交易中他的家人被误杀身亡，尼古拉斯在复仇之后逃到美国，七年之后一名女士找到尼古拉斯，求他救出自己被绑架到俄罗斯的女儿，尼古拉斯发现原来绑架犯就是他的仇人……

简介：尤素福和他的侄子计划在2014年宣布停火的那天离开霍姆斯。在这个时候命运让他们遇见了Yara，一个正在寻找失踪兄弟的女孩。当所有人被困在了这个战后残破的城市时，他们必须解决他们之间的分歧和矛盾，并忍受这场战争对他们施加的漫长等待。 然而，在所有这些悲剧事件中，是没有任何东西可以夺走他们的生命的，而面对考验，他们是否能够保留住一些人性和意志？

简介：刑警普克在抢救被击成重伤的盗窃主犯左小兵时，认识了年轻女医师米朵；米朵曾把左小兵从死亡线上抢救回来，这次却没有成功。左小兵的死深深地打击了米朵，使她对人生的价值产生的怀疑，决定从医院辞职。与此同时，市政府文化局女干部王敏被杀、普克参与调查此案没有找到任何线索，在例行调查中也调查了市政府某局长陈志宇，陈志宇给予很大的配合和支持，但案情没有进展……

简介：The life of three friends takes a tragic turn due to an inflated electricity bill, which leads to a courtroom molikan.com drama and social awakening.

简介：生活在Volhynia的波兰女孩Zosia,爱上了一个乌克兰男孩，但是她的父母决定让她嫁给一个波兰鳏夫。不久，二战爆发，局势紧张，身处战乱中的Zosia，为了生存必须竭尽全力

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：讲述了在一座海边城市里，一个贫困家庭挣扎着脱离犯罪的诱惑而过上诚实的生活。　　Mamuka服刑结束后，决定不再走上犯罪的道路，于是他贷款买了条小渔船来维济生活。他和他无业的弟弟的名字都是以命运女神“Moira”的名字起的名字。

简介：从郊区的家里被送去汽车修理店工作后，一名年轻男孩的生活有所改变，直到一次契机迫使他做出艰难抉择。

简介：It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the Long Good Bye she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,and, again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for (c)

简介：该片由意大利喜剧明星切柯·扎罗内（Checco Zalone）自编自演，讲述一个推销吸尘器的小人物为金钱而疲于奔命，用他自己的话来说，“这是贝卢斯科尼 20 年统治下的产物，一个只认金钱不认道德的时代”。

简介：宛如荷马史诗《奥德赛》的公路电影，为旅行者开辟了一个新的世界。来自柏林的两名年轻人赢得了希腊之旅。在短途旅行中，他们迷失在岛上，遇到一个了神秘生物，自称：赫拉克勒斯。后来在山洞里过夜，梦着一个奇怪的梦。隔天，两人关系再也回不去…